More than a year ago, I announced a new Eponymous 4 album, Travis, would be available in September 2017. Of course, things change in a year, and something I never mentioned is the fact I’ve been taking some remedial classes in music theory since the start of 2016.
My day job is with the University of Washington, which allows employees to take classes alongside students for free. So I’m pretty much redoing my undergraduate coursework! I also recently completed a year-long project at work that sucked up any remaining time I had for making music.
I’m one quarter away from completing that course load before I move on to remedial composition lessons, at which point I should have a bit more breathing room. That said, I don’t think I can give Travis the attention it needs to be successful, so I’m going to delay its release till 2018.
You could listen to it now by subscribing for $1/month. Or if you would rather hear directly from me when the album is about to get released, sign up for the newsletter.
Other things that will occupy my summer includes visits by various friends and family, plus a trip to Nashville to attend the CD Baby DIY Musicians Conference. I attended the first one in Chicago, which allowed me to visit my sister. This year, it’s in Nashville, a city about which I’ve always been curious.
As I mentioned back in my State of Eponymous 4 Address back in 2014, I had a set of songs ready to record for an album titled Travis. At the time, I thought I’d work on it immediately after Retrograde Songs, but my attention got diverted to Empty Ensemble, which will release its debut EP and LP in 2016.
Well, I’ve spent the last month focusing on Travis, and I’m happy to announce the album is in the can. Because I don’t want to steal thunder away from Empty Ensemble, the album won’t be released till September 2017.
Of course, that doesn’t stop me from posting a preview. You can listen to it now if you become an Eponymous 4 subscriber.
I approached this album a lot differently from the Ex Machina series. I finally employed a guitar amplifier and pulled an old, cheap microphone out of retirement to record parts. The rhythm section is entirely programmed, but everything else is recorded live. I’ve also invested in a better class of plugins, so the sound should actually approach something more professional than what’s come before.
This album really opened up some new ways to work, and I look forward to applying those lessons to the cover albums.
Eponymous 4 is still on hiatus while Empty Ensemble gets ready for a big push in 2016.
In the meantime, Observant Records has set up an e-mail newsletter to let you keep track of all the various projects, but if you’re interested only in Eponymous 4 news, we have you covered. In the past, I’ve relied on Facebook and Twitter to post updates. Facebook, of course, has famously altered how page posts show up in news feeds, and I don’t do much to get more followers on Twitter. So if you want to get first crack on new tracks and maybe a few exclusives, sign up for the list.
I’ve also took a bunch of files off of Soundcloud. I used Soundcloud to post first drafts of new tracks, but now that the majority of material has been released, I’ve let my Pro subscription lapse and removed almost everything that’s now available through streaming services and downloads. So you might click a Soundcloud link in an old Facebook or Twitter post and reach a dead link.
One last bit of housecleaning: a blog archive. All past posts could only be browsed through the home page, so I set up an archive page to give the home page a bit more focus.